Medley III, the stereo version

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Medley III

Title: Medley III
Instrument: GENESIS sounds, field recordings and old radio broadcasts, dispersed around 24 loudspeakers
Duration: 12'02"
Year of composition: 2025
Property, publisher: Author 
First performance: WAVES, 4th International Workshop in Theory and Sound August 26-29, 2025 Moni Paou, Pelion, Greece

This is a stereo re-composition 

Medley, here some info

I don't like medleys very much and, perhaps for this very reason, I threw myself the challenge of proposing one on the occasion of a new composition to be broadcast on the large 3D klangdom at the Danish Royal Academy of Music in Copenhagen.
The hemispherical space with its six vertical levels becomes a clock that screws from bottom to top in a chronological sense. I decomposed and recomposed 12 minutes of music using models of my main GENESIS compositions from 1996 to the present, together with field-recorded sounds and fragments of radio broadcasts from 1901 to 2020, which I collected for recent sound installations and online projects.
This is the list of works from which I have taken the sounds presented here:

Level 1, below panel + satellite; 12 loudspeaker: years 1996-2005:
FeldLand GameMan, N-ODI, La natura delle cose (cycle), Variazioni su un Prelude di Skrjabin.

Level 2, In panel; 12 loudspeaker: years 2006-2014:
Chordis cordi vibrat (cycle), Poème Espace, Dodici corde e mezzo.

Level 3, above panel; 8 loudspeaker: years 2015-2018:
Le voci del mondo, Musica Ritrovata, Intervista con la Materia, On the Nature on Matter.

Levels 4+5, high & top; 10 loudspeakers: years 2019-2020
La foresta delle voci timide, Foresta 4 Tissardmine.

Levels 6, zenith; 2 loudspeakers: years 2021
Numeri

Cross all levels:
Ascolto il tuo Cuore Città (Bandcamp edition): soundfield recording project 2020-2022
RadioWega Timachine: installation, 2021-2022

G.G. Turin, 18 October 2022

listen to the binaural reduction

more details on loudspeaker spatialization

go to my website: https://giuseppegavazza.it/

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